Punished Yuji Naka

Karma's a bitch

Yuji Naka hasn't made anything really good after Nights into Dreams (except 2-3 casual games like Ivy the Kiwi and Let's Tap). He's good only at ideas but awful at making them work.

Remember the development hell fiasco Rodea: The Sky Soldier? I never saw him back then blaming the publisher company. Therefore even if SquareEnix didn't fired him, Balan would still be crap.

>kek have you seen his kusoge that he made in unity?
You mean his latest game he made for smartphones? God, that's awful even for smartphone games' standards, it's hard to believe it's made by "one of the most iconic game creators".

>Hes desperate for a job right now and no one wants to hire him
I'm surprised he even got hired by SquareEnix after Rodea's fiasco that costed a lot at Kadokawa Games.

More like administrators.

Pretty much.

Why is he airing his dirty laundry on social media? What a fucking bitch.

My bad: I forgot ChuChu Rocket as his only good creation after Nights into Dreams.

Balan Wonderworld is from Square, you moron.

Depends upon the company. In smaller ones they usually have importance.

What kind of "importance"? Claiming the credits for other people's work, like most indie games "creators" do (like Phil Fish with Fez)?

>Duh what does a frontal lobe DO exactly isnt it just a gigantic idea guy?

The absolute state of retarded western devs. This is why every game the West produces is mediocre, no respect for vision or leadership

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Seething Japcel cuckolds

In larger companies they roject bloat comes into affect but in smaller ones they generally have an actual role in development.

I work for a dev and the project directors actually do some of the development. As time goes on they tend to take on more roles as their meshing with the company itself increases but them doing some coding/art/writing isn't anything weird.

And while I work for an indie, this is true even for more well known companies like Game Freak (to their detriment since they don't take the time to do it right). And while I do know people who have worked for TPC/Nintendo I don't even have to take their word for it because they admit it in interviews.

Trials in Sun and Moon were half-assed shit because the waifu storyfag Ohmori had to add some of them last minute himself.

>In larger companies the project bloat comes into effect
That first line was supposed to be. That's what I get for typing while trying to listen to someone talk at me.

Other peoples "work" means jack fucking shit without direction you dumb cunt. You can have a good artist, a codemonkey (they're a dime a dozen) and a good 3D animator, but none of them know how to get them working in a certain way, pull it all together and create a compelling game and narrative. That's where the Frontal Lobe steps in, that is where Game Directors step in.

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Kadokawa's own documented mismanagement is probably why Square Enix gave him the benefit of the doubt.