Przeczytajcie sobie:
- Danusha Veronica Goska - Bieganski: the Brute Polak Stereotype in Polish-Jewish Relations and American Popular Culture or The Slaughter of Cities: Urban Renewal as Ethnic Cleansing
- E. Michael Jones - The Slaughter of Cities: Urban Renewal as Ethnic Cleansing
The situation is very simple. East Germans are Germanized West Slavs who Germanized naturally because of the spread of a superior culture since the time of the Carolingian Empire.
We Poles can Germanize and what awaits us/our descendants is a role in making films, an easy job driving the Fuhrer around, play for the always-competitive German team (in football but generally, on the world stage, geopolitically, culturally, economically), be the German Hot Guy ™ like Ballack (a Sorb) or later Podolski (youtu.be
If not, we can have this: youtu.be
I don’t view Poland as anything other than a province of Germany that hasn’t been properly Germanized yet.
itt: people from 41-78% white countries are "worried" about 99% white country.
please continue its my favorite type of thread.
Poles are living the best they have in 500 years. And that’s thanks to Germany. No one else. Germany is the only option. Thank you Germany!
In the “West” Chameryka, you’ll even be blamed for MyLai.
>In 1978 director Michael Cimino broke new ground. He made the first serious, artistically ambitious, Hollywood movie to depict combat in Vietnam, The Deer Hunter (Kutler 61-74). In this historic film America’s involvement in Vietnam is understood not as the fruit of the machinations of wealthy and powerful Americans. It is not understood as the creation of men with names like “Kennedy,” “Johnson,” and “McNamara” who are divorced from the concerns of the blue-collar ethnics and other disproportionately poor and marginalized Americans and Third World peasants whose lives they destroy. Rather, the Vietnam War is depicted as the logical outcome of Bohunk culture. In this, The Deer Hunter gave artistic expression to a scholarly and popular press process that became noticeable in the sixties and seventies. Academic, press, and cultural elites came, inaccurately, to pin the social ills of racism and chauvinism on the stereotypically brutal and dumb blue-collar ethnic (Radzialowski 1976, 5; Novak 1975, 74; Hill 1975; Nie, et. al.1974; Hamilton 1972). It is ironic that imaginary Bohunks like Stanley Kowalski, so feared for the hunger that powerlessness brings, were now blamed for abuses of power that they never had.
>In spite of academic and popular press racism, immigrants arrived in their millions. Because of their “habit of silent submission, their amenity to discipline, and their willingness to work long hours and overtime without a murmur,” immigrants were valuable in the work that turned America into an industrial power (Bukowczyk 21). Their fellow workers recognized it.
>”I’ll tell you what I mean by hard work, buddy. When an American shovels coal and has to take a piss, he quits for a while. When a foreigner is shoveling coal and has to take a piss, he pisses down his leg and goes right on shoveling coal. That’s what I mean by workin’ hard. Now these foreigners are really bulls, they work like dogs.” (Novak 248)
>They recognized this quality in themselves.
>”Work. Work all my life. All my life, work. From small boy to old man, work. In old country, work. In new country, work. In New York. Pittsburgh. Detroit. Chicago. Imperial Valley. San Francisco. Work. No beg. Work. For what? Nothing. Three boys in old country. Twenty years, not see. Lost. Dead. Who knows? What. What-not. No foundation. All the way down the line ... Old country song, I play.” (Saroyan 95)
>When racists advanced anti-immigrant arguments, it was industrialists, not leftists, not liberals, not scientists, not academics, not journalists, who defeated them. The wealth of men like Andrew Carnegie who rose to be the richest man in the world was based on the desperation of people who weren’t assimilated. At the same time, the industrialists benefited from the negative stereotype of the immigrants. In describing the murderous suppression Andrew Carnegie and his fellow industrialist, Henry Clay Frick, visited on strikers, Carnegie’s biographer wrote, “Frick had ... been unfortunate in the type of workmen with whom he had previously dealt. The Hungarians, Slavs, and Southern Europeans of Connellsville were a savage and undisciplined horde, with whom strong-arm methods seemed at times indispensable” (Hendrick 378). Stereotypes facilitated the settling of Bohunk strikes by massacring “the Polaks,” as they did in Lattimer, Pennsylvania. In the Ludlow Massacre, immigrant strikers were machine-gunned down or burned alive. During the 1915-16 Bayonne refinery strikes, Standard Oil’s manager announced, “I want to march up East 22nd street through the guts of Polaks” (Dorsey 23).
>In the end, racism carried the day; the immigrants of East Asia and Eastern and Southern Europe became the only immigrants to the United States to have immigration laws passed against them with the understanding that they were racially inferior.
>The films “A Streetcar Named Desire” and “Monster’s Ball” made their thuggish, working class, Southern characters Poles, though in reality there are relatively few Poles in the American South; most white Southern working people are WASPs. In 2008, during a closed fundraising event on Millionaire’s Row in San Francisco, presidential candidate Barack Obama made comments widely interpreted to mean that Pennsylvania’s and the Midwest’s rural and working class whites are particularly religious, unintelligent, racist, and dangerous. One blogger paraphrased Obama’s comment as directed against: “Corncob-Smokin’, Banjo-Strokin’, Chicken-Chokin’, Cousin-Pokin’, Inbred, Hillbilly, Racist, Morons (Ace). This list of attributes corresponds with the white trash, WASP stereotype. A frequently-cited essay understood Obama’s comments as directed against Bohunks, a large percentage of Pennsylvania’s and the Midwest’s working class: “You’re talking about white people who have neither the family connections nor the racial credentials to gain entrance to the world that you inhabit. Many of the people you’re talking about are those whose parents, grandparents, and great-grandparents were immigrants from Central and Eastern Europe who came to these places to work in steel mills, coal mines, and factories” (Grabar).
>He acts like an animal, has an animal’s habits! Eats like one, moves like one, talks like one! There’s even something — SUBHUMAN — something not quite to the stage of humanity yet! Yes, something ape-like about him, like one of those pictures I’ve seen in anthropological studies! Thousands and thousands of years have passed him right by, and there he is — Stanley Kowalski — survivor of the Stone Age! ... Maybe we are a long way from being made in God’s image, but Stella — there has been some progress since then! Such things as art — as poetry and music — such kinds of new light have come into the world since then! In some kinds of people some tenderer feelings have had some little beginning! That we have got to make grow! And cling to, and hold as our flag! In this dark march toward whatever it is we’re approaching ... Don’t — don’t hang back with the brutes!
There’s no equivalent to it in the world. Not even Jud Süß went into questioning the kike’s genes and the Untermensch book that likes to get referenced here so much didn’t associate the Pole/Slav with “Untermenschen.”
Which way Polish man?
Maybe you want to be the bubbling, fat, retard Kowalski (portrayed by a hideous fat kike) in Harry Potter? The sidekick to his master, the Anglo, from the book that JK Rowling plagiarized from Poland? That’s the role the Anglo/Jew have reserved for you. Geopolitically. Culturally. Economically.
Or maybe, this:
>In 2001, Enigma treated the Nazi code of that name. Poles pioneered efforts to break Enigma; those efforts were not dramatized in the film; rather, a Pole appears as chief villain, contrary to historical fact. In 2002, the critically acclaimed Monster’s Ball chose to depict white supremacy in the American South as generated by Polish Americans. In 2003, the box-office-smash, Jim Carrey comedy Bruce Almighty opened with a scene mocking oafish Polish bakers and their rat-feces-studded “chocolate chip” cookies.
But hey, maybe they’ll give you the honor of letting you fly to protect the British Isles again and then “repatriate” you (i.e. send you to your slaughter at the hands of kikes) and bill you for it afterwards while they hand your country over so the people can live under judeo-communism. And then they’ll be like, “We WeNt To WaR FoR PoLaNd!” when really, who gives a fuck about Poland, other than as a buffer state to not let industrial power Germany and resource/land-rich power Russia unite.