Mio has a habit of playing dom7 arpeggios during chord changes and chromatic scales at the end of chord progressions...

Mio has a habit of playing dom7 arpeggios during chord changes and chromatic scales at the end of chord progressions. She also tends to alternate between using add9, sus4, 5th and dom7 arpeggios across recurring chord progressions. This use of tonally ambiguous sounds can convey the bittersweetness and mixed emotions apparent in songs such as "Fude Pen Boru Pen".

Objectively, canonically, most talented HTT.

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>add9, sus4, 5th and dom7
None of these things mean anything. You just made them up.

>ADD, sus, dom
And you are using whatever buzzwords Any Forums is throwing at you.

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What a Locrian

Pretty good. Too bad the average Japanese bands are incapable of putting their souls into the music, despite having higher technical skills on average.

>Objectively, canonically, most talented HTT
wrong

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What about shonen knife or bump of chicken...hell I'll say it. The pillows.

Goddamn it. Why did they only tease us with honey sweet tea time? Should have been in the series proper.

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ill make a Shuffle anime happen by the force of my autism by buying everything made by kakifly on amazon jp

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How come nobody talks about the K-On sequel? Was it that bad?

Wasn't animated. Wakaba girls were dull, college girls were a rehash of the original HTT.

can i get uuuuuuuhhhhhhh

super mega intense hot lovemaking procreative marital sexual intercourse in mating press position, deep unprotected nakadashi with leg locking and shared orgasm and post-coital cuddling and handholding with Mio

I wish we had a sequel with Mio in college. I want to see her with a boyfriend.

im her boyfriend

Mio is incel.

isn't kyon yuricel

Sasuga Mio

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all of it wasted on granny shit

Although the shorthands may seem humorous to the average Any Forumsnon, they are all established shorthands for playing guitars. All correspond to real chord types on guitars, which have their basis in music theory.

>5th
A major triad, one of the most basic kinds of chords; a triad in positions 1, 3, and 5 (where "1" is the note with the lowest pitch in the chord, with each whole number increase corresponding to a step)

>dom7
Dominant 7th, which adds a 7th to the above (1-3-5-7)

>sus4
Suspended 4th, a triad where the 5 is reduced to a 4 (thus, a 1-3-4 triad)

>add9
Added 9th, where a 9th is added to a major triad (i.e., 1-3-5-9)

I'm a little rusty on music theory since I haven't needed technical definitions for a few years, though searching any of these terms will lead you to several different music theory sites.

tl;dr OP is legit. While it is hard to confirm if she is truly the most talented, she does play the most difficult parts from a technical perspective, which lends credibility to the argument.

pretty sus post