Why can't the Japanese write good endings?

They’re only good at coming up with ideas

>Why are Nips so shit at endings?
Because it's literally not the writer's fault.
All of this is based on the supposition that you get the writing deal, so bear with me.
In the US, if you want to be published, you get an agent and submit a written manuscript. the agent shops your manuscript around, you get a contract, you get an editor (or one is provided to you) and you fix what needs fixing, and your shit gets published. If it's popular, you get a book deal - usually a book or two per year.

In japan, you write whatever, and you submit it. The company takes what you've written as a *proposal* and you write. You're given an "editor", but the "editor" is really a company dog that wants to make the company money.
The "editor" accepts or rejects each part that's to be published. This is why new characters are suddenly introduced. Why there are flashback arcs. Why stories never go forward. Why MC never fucks the Best Girl. The company is milking you for your popularity.
If you get the sales numbers you're given more freedom in what you want to write in your story, but japanese printing is all about milking everything to the last possible drop before going ahead with an ending.
Strong beginning -> chewy middle -> piss ending.
When you see this formula, you know the writer isn't writing what he wants, but what the company wants him to write so that they can make money, chapter by chapter.

What you say is mostly untrue but it makes me wonder if there was ever an mangaka who tried to fuck around with his editors as much as possible during the run time of a series.

>is mostly untrue
nta, but how?

Togashi was famous for it

serialization

>it makes me wonder if there was ever an mangaka who tried to fuck around with his editors as much as possible during the run time of a series.
asakazu Katsura (the guy that did DNA^2, Video Girl Ai, and I''s) is bitter because of this system. You see, before he submitted anything for publishing, he wrote the *whole story*. Not a proposal.
I'll use I''s as an example: The MC wants to hook up with one girl. It's a fairly straightforward plot, with the usual complications. But suddenly towards the middle there's an explosion of new characters. There are story arcs that go nowhere. Flashbacks that contribute nothing. Every chapter has to "jump the shark" even more than the previous one.
He wanted MC-kun and his girl to get together, but the company wouldn't let him. finally, at the end, he sort of committed literary suicide by (instead of submitting the usual crap the company wanted) literally killing the MC. Just died a meaningless, empty death on the sidewalk. The production company was understandibly pissed off at him.
"I wanted to write what I wanted to write. You wanted me to write something else. This is what you get." Something along those lines, anyways. So they were like, "Fine, your contract is cut. Your final deadline is [date]. Make up whatever chapters you want and submit them, we're done." So he retconned the MC's death, hooks up with the main girl as he'd intended all-fucking-along, slapped some meaningless bullshit on the characters he'd had to invent for the company, and ended the series.

respectable, was he able to publish again affter that?

>Why can't the Japanese write good endings?
M O N O N O A W A R E

>You cant kill them, killing makes you just as bad as them.

MUH CYCLE OF HATRED HUMANITY BAD OKAY