/film/

it'd be better to curate than just list every director, since you can already get such a list on wiki

is there a nonpozzed site where you can record your watched films maybe with a short review on each one? preferably with a clean, simple interface not full of junk.

Is William Holden kino? I saw Satan Never Sleeps and The Lion but truth to be told I was on my phone throughout both.

icheckmovies
Welcome to /film/, I don't care about the spreadsheets or the MEGA links (I don't curate that) and the charts in it.

thanks doc

Filtered by Bay

Look man, his movies are decent but he's hardly a fucking auteur is he

He is an auteur. Learn what the word means.

YOU learn what it means shitbrick. i went to film school and i know better than you. it means someone who makes art, not gay action movies with half-thumbs mcgee

New Seidl
>The second film in Ulrich Seidl’s recent diptych, which began with Rimini, follows the life of a pedophile who has not acted on his deplorable inclinations.
>Soft-spoken, doting, and seemingly impotent Ewald (Georg Friedrich) and his Romanian girlfriend are setting off for her homeland to visit her family. Their lacklustre relationship crumbles, and Ewald, a pedophile who hasn’t acted on his reprehensible inclinations, begins to fixate on scouting abandoned schools in various states of disrepair — which he plans to convert into dojos for prepubescent boys (played by local non-actors as part of a participatory and meticulously monitored production alongside consenting families). Ewald’s dubious endeavour is rounded out by visits to a nursing home inhabited by his father, who suffers from dementia and whose only lucid moments come through visits to the cemetery and songs from his days as a Nazi officer.

>Sparta is the second film in a diptych that began with Rimini, which screened in the 2022 Berlinale Competition and centres on Ewald’s brother Richie, a financially and morally bankrupt faded pop star in a permanent state of intoxication. With Sparta, writer-director Ulrich Seidl — notorious for tackling vexing topics — intended not to scandalize but rather to provoke conversation about a contentious issue. Partnering with his frequent collaborators, including director of photography Wolfgang Thaler and co-writer Veronika Franz (who attended the Festival in 2014 with her co-directed film Goodnight Mommy), Seidl — who was the subject of TIFF 2001’s Spotlight programme and whose other TIFF credits include Paradise: Hope (TIFF ’13) and Safari (TIFF ’16) — does not shy away from controversy, and pushes his oeuvre examining the most disturbing aspects of humanity.

No it doesn't.