It should be illegal for movies to appeal this much to the male spirit
It should be illegal for movies to appeal this much to the male spirit
anime sucks and so does the old shit
You have no soul
He has no soul
He has no grace
This user is
A fucking disgrace
Sword of the Stranger is like that.
>liking the most pozzed Miyazaki movie
I shiggy diggy
The most pozzed Miyazaki movie is Nausicaa. It's a requiem to eco-fascism. It's still a fantastic movie, though.
Right.
>there is one line about fascism so the entire movie is pozzed
The absolute state of modern Any Forums.
>It's a requiem to eco-fascism
Oh no not that, god forbid the people work together to better the world
One of best movies I have watched, its so good it doesnt matter its weebshit
it's such a blatant self-insert fantasy
Unironically better than everything I've seen in pedowood for the last 20 years sadly.
>weebshit
Weebs hate Miyazaki because he said some (100% true) stuff about the anime industry and otakus that hurt their feelings.
Who the fuck wouldn't want to be a seaplane pilot/bounty hunter in the Adriatic sea in the 1930's?
he's also entirely correct about lord of the rings and shitty american movies
Princess Mononoke is his most undisputed masterpiece and anyone who disagrees with me can fuck off
I have never understood the appeal. The themes are so on-the-nose and by the time it came out they'd overstayed their welcome in media by a decade already.
Porco Rosso was a perfect alliteration to a dead genre of masculine cinema, and it was released right in the middle of the 90's Hollywood craze with macho action heroes mainly spawned from Schwarzenegger movies in the 80's.
The Lord of the Rings is a British book series (like the ones he loves to rip off) adapted by Kiwis.
A Miyazaki LOTR would be absolutely magical. Jackon's are fucking good as well, but let's not pretend letting Miyazaki have a crack at it wouldn't be fantastic.
he's still right that it sucks shit
I'm going to copy a post I made in the last porco rosso thread because every porco rosso thread there's one of you fuckers.
>It isn't about fascism in particular but about the death of the 19th century chivalrous and free man archetype, in Italy it was brought in part by fascism/modernism (ironically fascist men that still incarnated this archetype like Italo Balbo/D'Annunzio eventually ended up imprisoned as while being paragons for the cause they were fundamentally contradictory with it). Porco rosso is a beautiful soul tainted by WW1 and his part in it (that's why he is an anthropomorphic pig). You could substitute fascism in this movie with corporate culture and set it in the 21rst century and the point would be the same.
>It's fascism because that was the cultural condition in Italy at the time, it's a movie exploring the melanchony of a changing Italy.
BOIA CHI MOLLA
Great point.