Thread for the discussion of classic films and arthouse cinema.
prestigious edition
>/film/ literature
mega.nz
>/film/ charts
mega.nz
>/film/ directors directory
docs.google.com
>but user, how do I make webms with MPV?
github.com
previous
Thread for the discussion of classic films and arthouse cinema.
prestigious edition
>/film/ literature
mega.nz
>/film/ charts
mega.nz
>/film/ directors directory
docs.google.com
>but user, how do I make webms with MPV?
github.com
previous
check em
what's up with all this new trend of arthouse films?
>shot in 4:3
>handheld so they dont need rigs
>full aperture so they dont need many lights
>very shallow focus so they dont need much production design
>the same one or two characters in every scene so they dont need a structured script, everything is episodic
that french abortion flick that won in venice was like that fucking lazy cunts
Might also add
>everything is fucking gray
that happens when they shoot in log colorspace, and they dont know how to do a proper color grading
why Tokyo Vice was so irrelevant lads?
I was ready for some Mannkino
woah how did he do that
can't speak to your larger point but I thought the techniques worked for the thematic naturalism. had more issues with the script myself but still liked it alright
First for N O I R
why's this literally who 138 views film got an enormous wiki? peculiar. anybody seen it.
>In discussions prior to filming Blythe and Hall talked about Robert Bresson's films of French rural life and Man of Aran.[2] One of the major challenges of the filming was to recreate the sense of a rural economy based around horses; Blythe considered one of the best scenes the evocation of a harvest around 1911, complete with "Suffolk waggons, the biggest in England, and heroic punches to draw them".[2]
sounds kino
Restored by the BFI not long ago, often considered an authoritative curator of classic British cinema.
Recently I've been enjoying rohmer. What are your favorite of his and who are some similar directors?
I don't know if anybody mentioned it but the new Serra, Tourment Les Iles is 165 mins.
Holy Spider by Abbasi, to be in Cannes comp.
youtu.be
Irma Vep TV show by Assayas, also to play in Cannes
youtu.be
He directed 1 episode.
That Korean hack Hong I guess. Maybe Hamaguchi. The good ones are Rozier, Garrel, Eustache, Pialat, Ceylan, Yang.
This isn’t new, and it doesn’t apply only to arthouse. Welcome to contemporary filmmaking. Talent, expertise, and experience doesn’t exist anymore- everyone runs to the easiest and fastest methods to make “art”.
This is why I don’t watch anything made after the 70s.
>Maggie to Vikander
holy downgrade
Serra about his new film. Can somebody give a general summary about what's he babbling about?
ccma.cat
*****
Who is the best American arthouse director under 60?
*****
youtube.com
New Mungiu. Why does he keep putting a gray filter over his flicks? Looks horrid.
>contemporary arthouse American director
Nobody.