Why are the critics putting the hit out on Morbius?

It sucks, next question.
t. Hasn't seen it.

Vampires have always been an allegory for kikes.

It felt by-the-numbers as a superhero movie. Morbius just wanted to help The Doctor, The Doctor wanted to eat people after years of trying to love humanity, it ends on a sequel tease, and the MCU hook was more or less just setup for potentially an Andrew Garfield movie at best and that's really stretching. It doesn't really do much special but the effects when Milo and Morbius move were alright. Both Venom movies were far better.

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Bros I don't get it, I thought it was gonna be the first movie to sell a gorillion tickets. Where the fuck is the Morbius sweep?

They’re #MadAtMord

>Both Venom movies were far better.
That bar is so low it's in Earth's core, and you're telling me morbius sinks lower than that?

Can't a movie just be bad anymore?

I mean, if you dislike either Venom movie (Carnage was definitely worse) I can't see you liking Morbius. The first act's setup is primarily spent with flashbacks and him in his lab, the second act is the powers, the third act is him constantly getting beaten up and pulling new powers out of his ass. It's just so rote and by-the-numbers that it's really hard to care at all. It doesn't even feel experimental in any way whatsoever nor does it have its own identity.

>It felt by-the-numbers as a superhero movie.
What are you talkin about, this had a lot more edge to it; there was an attempt to inject horror and psychological drama.
The problem was, both of them lacked bite. If they wanted to have horror, they should have included blood, and if they wanted psychological drama, they should have had more moral conflict from the main character. I wanted him to show a temptation to be evil and lord it over people- even just a little. And he should have cried at the end; that moment should have been full of pathos, but it wasn't.

Are you kidding? At no point does it feel scary in any way. It tries to be scary when Morbius gets his powers then immediately throws that away after that. You see him constantly panting from the blood withdrawal but he brushes that off constantly after Milo meets up with him and then after that he's never shown in that "Terrifying" light again except for one split second where his love interest's finger got cut at which point he reigns it in. When the guy at the hospital/hospice/whateveritwas gets slashed by Milo, Morbius doesn't even flinch at a giant, gaping, bleeding wound. So many scenes are in broad daylight or in massively lit white rooms. He literally has a vampire bat "aquarium" which acts like a flood light for his entire room.

I don't even know where you get psychological drama from because he only struggles twice and both times not only does nothing happen but there's not even any tension leading up to any of it. Dude has entire racks of blood and somehow can't keep himself under wraps for a few days. He barely has any connections to anyone and is on the run for like 70% of the movie, and when he's not he's either yelling or being yelled at by Milo or telling his love interest something before disappearing. He doesn't even really have much to go with with Milo, and Milo is just a maniac.

This. Morbius was cool.

They have decided to meme hate on Jared Leto for being Snyder's Joker.

I'm not saying it's actually scary, I'm saying it tries to be scary a few times. As well as Morbius' 'awakening' there's a decent number of scenes from Milo.

>I don't even know where you got psychological drama from
He struggles with the desire to drink blood; that's the main 'conflict' in the film. The problem is, it was just that; they never implied a /moral/ conflict or temptation. That would have made it a lot more interesting. Likewise, he never actually felt bad about fighting Milo, even at the end.