Thread for the discussion of arthouse and classic cinema.
"Fine, I'll fucking make the thread myself" Edition
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/film/
John Moore
Joshua Cox
What's the best drinking classic?
Nathan Clark
Who's Afraid of Virginia Woolf?
Long Day's Journey into Night
any film where someone stands infront of a roaring fire and downs a glass of liquor then throws the glass into the fire
Luis Moore
Been slowly making my way through his films, finally watched Early Spring last night. While I missed not seeing Setsuko, it was still a great film. Love Ozu cinematography and editing, takes balls to be blatantly ignoring and even defying established "rules" of cinema back then, inside such straightforward dramas.
Been going chronologically, Tokyo Twilight is next, I'm dreading going into color.
David Smith
Remember what has to be done.
Caleb Wright
>After.Yang.2021.WEBRip.x264-ION10
magnet:?xt=urn:btih:9b678e5b1bb46374bf4fdce7d8a57aa9ae969e3d
Joshua Davis
I refuse to watch this racemixing propaganda garbage
Nolan James
We're all on Discord.
Parker White
Not really, no.
Ayden Wood
>I'm dreading going into color.
Why? Ozu's use of color is masterful.
Zachary Mitchell
While I'd usually post the "off topic" pasta, the threads need to stay alive so I won't.
This looks fucking hilarious, any real reason to watch this outside of potentially Farrell's acting? I looked up the filmmaker and he looks like a giant fucking meme, anyone making Youtube video essays shouldn't be handed a career as a filmmaker. I almost don't want to watch this on principal.
Isaac Jackson
no, it's directed by asian guy
Nicholas Hughes
go fuck yourself
Aiden Reed
>any real reason to watch this
Columbus (2017) is /film/
Nicholas Ramirez
It's much better than Any Forums.
We can actually have a conversation.
Wyatt Davis
Ah okay, this makes me less anxious then. Also sucks just finally starting to run out of Ozu to watch.
Jaxson Ortiz
>It's much safer than Any Forums.
>We can actually have a dilation party.
kys
Hunter Gutierrez
Many of the color films are some of his greatest works, except for Good Morning, which is still a fairly entertaining light-hearted comedy.
Gabriel Barnes
>Many of the color films are some of his greatest works
Damn really? I know everyone always says Tokyo Story is his best but I really enjoyed both Late Spring and Early Summer more.
Camden Green
Yes. An Autumn Afternoon might even be my favorite Ozu film. A perfect ending to his career.
Jeremiah Harris
Awesome. When I finish his films I'll finally get to watch Tokyo-Ga and read "Ozu's Anti-Cinema", both of which I've been really looking forward to.