>the song's intro and first verse are perfection incarnate
>it falls off after
What's her name, Any Forums?
The song's intro and first verse are perfection incarnate
Adrian Walker
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Noah Hall
You were working as a waitress in a cocktail bar when I met you
Matthew Mitchell
not pic related, which is a perfect pop song (apart from the girl's ropey vocals)
Alexander Edwards
exactly, it's fucking perfect, but they ran out of ideas afterwards and just repeated the formula. It's still an epic pop hit, but that first minute is pure genius and made their entire career.
Kevin Rivera
not sure what you could do after the intro however
youtu.be
Adam Cook
Baker Street
Blake Perez
>Desire Is a Trap
Jason Butler
Some of the better Maiden songs
You know it's bad when they repeat the entire riff verse chorus structure in the middle of the song
Ryan Phillips
>repeated the formula
It's called a response verse, dumbass
Are you too young even to remember Somebody I Used to Know?
Aiden Lopez
Everything is perfect
Caleb Young
I know the call and response trope, but still, in a song like Vienna or Cars or Fade To Grey or Voyage Voyage, which are also 80s pop classics, you sort of expect repetition there, but I feel different about a song with such an earthshaking beginning as Don't You Want Me.
Nolan Nelson
I don't get the hype for the intro. It's an intro? Is it even better than Whip It?
Anthony Gutierrez
it's just an assertive, moody synthpop intro and one of the first given its 81 vintage, when the likes of Duran and Spandau still fiddled about with Station To Station soundalikes,
Owen Parker
Question of Lust - Depeche Mode
Clearly a very short song stretched out for no reason with a repetitive chorus. It could have been a great interlude.
Luis Smith
Sums it up quite well. The girls in human league can't sing.
Timeless intro. So ahead of it's time. Nothing comes close to the organic sound of analog synth.
Adrian Kelly
baba o riley
John Young
SOS by ABC
youtube.com
first part is fucking brilliant, then it just gets disjointed when the flutes come in. then there's guitar and lousy vocals and a fucking saxophone and the bridge totally sucks
Michael Fisher
it took her like 40 takes to do those vocals
think about that for a second
Gabriel Morris
Poison Arrow tho, that one only gives way about halfway through from sheer brilliance, a very solid composition, that.
Adam Collins
it's also too much reverb: the song
Noah Gutierrez
yeah they kinda fucked up on the second album though