What did Rolling Stone mean by this review of new black midi album Hellfire?

midwits hate jazz

Jazz--as a creative, vital genre--is effectively dead. Originally the pop music of the black lower class, it has long since been abandoned by its original creators/audience for genres like R&B and hip-hop, leaving it in the hands of (in ascending order of mass appeal) shrill avant-garde musicians dwelling on the fringe, cloistered academics, stodgy traditionalists pumping out stale rearrangements of decades-old songs, and anodyne producers of background music. The most you can get out of "jazz influence" is an easy target for music nerds to air their grievances/frustrations over the modern irrelevance of jazz, its abandonment by its originating culture, and its transition from a legitimate cultural force to just another dead genre.

band isn't afro-american enough

I like the pirate song a lot

CDQ when/where?

Friday

this is fake btw

It looks legit?
pressreader.com/usa/rolling-stone-usa/20220705/282823604869004

they only do this to 21st century artists. its annoying.

holy based. more music reviewing should be like this. no more soft cunts and fawning portraits. bring back the 80s

shitty and MIDI doesn't rhyme