I KNOW YOU'RE FUCKIN SOMEONE EEEEELSE

>I KNOW YOU'RE FUCKIN SOMEONE EEEEELSE

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youtu.be/--emBulPiF8
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>HE KNOWS YOU'RE FUCKIN SOMEONE EEEEELSE

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>I KNOW
>HE KNOWS
>I KNOW
>HE KNOWS
>I KNOW
>HE KNOWS
>I KNOW
>HE KNOWS
>I KNOW
>HE KNOWS

ONE
TWO
THREE
FOUR

I DON'T WANNA LIVE NO MORE

HOOAH

OH YOU'RE DEAD NOW

>YEEEEEEEEEEEEEHAAAAAAAAAAAA

Why is thrash and doom such an unsual combination?

NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO I KNOWWW YOU'RE FUCKINGS OMEONE ELSE NOOOO IM GOING TO KILL MYSELFFFFFF

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>SHE SNEEEEEEDDDDSSS
>BODY OF CHUUUCK

POOR TAWANA'S GOT A BIRTH DEFECT
BUT IT ONLY INCREASES YOUR WELFARE CHECK

one of scaruffis favourite albums

CUNT
SLUT
WHOARE

>KILL ALL THE WHITE PEOPLE

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based liquify tool pete poster

>YOU'RE A WASTE
>OF
>LIFE

is there any album that sounds similar to this? the combination of fast trash and slow doom metal is so fucking good

His take is such bullshit

How so?

That’s a penis and a vagina, rite?

>impersonating a psychopath who uttered nihilist, racist, sexist, fascist invectives
Lol no one likes welfare leeches except shitlibs, it's not le evil nazi opinion. And the whole review he's just fellating himself, it's unbearable

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>t. completely missed the point of the album

youtu.be/--emBulPiF8
Hipster fags like you belong on a cross

The genius of Slow Deep and Hard is that it rides the line between sincerity and satire. Peter Steele may genuinely be anti-welfare, but the way he phrases Der Untermensch is deliberately hyperbolic to show that such a belief can also be taken to dangerous extremes. Same with the rest of the album's lyrics, each song presents a nugget of truth juxtaposed with the melodrama of thrash metal; it is both self-aware and self-indulgent.

If all you get out of this album is "hurr welfare and women bad" then you're even more subhuman than the untermensch.