Let's talk about those songs/albums that have such laughably poor production choices that it totally distracts from (or possibly even ruins) the music even if it's compositionally sound.
Although I really like the music, the snare is so god-awful on this one: youtu.be
I think it actually might be worse than the snare on St. Anger.
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there is no such thing as bad production
flying lotus and his shitty brickwalled mixing. get your shit together flylo, it's been ten years.
I agree, but I think there are poor production choices. Of course, everything is subjective, but I think there are some choices that engineers have made that are fairly universally viewed as not sounding great.
Here's a good one
youtu.be
"Why yes! I don't give a shit about vocals!"
am i the only one who actually likes the trashcan snares on this album? it gives it a more aggressive dirty feel that fits really well into the music
>t. never paid attention to much music from the mid to late 80s besides synthpop
fuck you this snare is awesome
Ha! Which one?
blake
thats some good shit thanks. i tend to like the high pitched no snare wire sound
heres another good one
youtube.com
as far as bad mixing and shit heres one.
youtube.com
Glad you dig it! Again, I think the music is great, but the snare is far too forward in the mix for my taste, and it sounds strange to me. I much prefer the more conventional snare sound that they have on their last release. :)
bitch did you just post some Blake as a negative example?
Blake drumming is god tier
that fire shit is FIRE!
vox almost ruin it - great drumming
>but the snare is far too forward in the mix for my taste
at least you know your limits but really its about you, not about production
the thing in Black Sabbath Paranoid
the composition of the songs on St Anger is god-awful. they should've been 3.5 minutes max
and you are?
bob rock jr?
not like it was ruined, iconic song, but I've always found it weird the way the bass disappears in the choruses of nookie. You'd think there would be a big bottom string B on the 5 string slide, but it just becomes this treble mess. And it's not like they shied away from excessive sub bass on the rest of the album either.
The muddy bullshit gimmick gets unbearable after 4 songs
Corey Feldman is a producer?