>How do I get into classical? This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music: pastebin.com/NBEp2VFh
Just to make sure my shit doesn't get ignored: This is the best oldest piece of music I've ever heard. It's from the 1690s youtube.com/watch?v=e_BaZpPAFOs
Aaron Lewis
Between Scriabin and Sorabji who is the shittiest composer ever
>He became particularly interested in early music, such as that of Claudio Monteverdi, Carlo Gesualdo, and Heinrich Schütz, and in contemporary music by the composers of the Second Viennese School and others. Craft was already doing the "Bach and before, Ives and after" before it was cool
anyone knows what it might be? been listening to a lot of stravinsky lately and i think it might be him (the firebird) but i'm too lazy to check and besides i think i've heard this motif before and i don't wanna embarrass myself by saying it's stravinsky if it's some other composer and this is a well known compositio
>Bach and before, Ives and after" isn't that just skipping the romantishit? it's only reasonable
Joshua Bell
John Cage
Dominic James
>Craft was already doing the "Bach and before, Ives and after" before it was cool Webern did it first. >Anton Webern wrote his PhD thesis on Heinrich Isaac's Choralis Constantinus >He observed that Isaac’s compositions, which in terms of their absolute mastery of counterpoint are comparable to those of other illustrious Flemish composers such as Pierre de la Rue, Jacob Obrecht and Josquin des Prés, clearly stand out from his contemporaries in “the unfailing and exceptional vivacity and independence of the voices” (Anton Webern, 1906)
Your moans are so hot user. it sounded like peer gynt. probably not what you were going for.
Mason Butler
lmfao
Ryder Flores
He was still an unrelenting Brahmsian tho, not exactly "Ives and after"
Oliver Sullivan
igor smalldickskyp
Justin Lee
Well, to be fair, Craft liked Brahms too. He has the best damn recording of Schoenberg's orchestration of the Piano Quartet. His earlier Chicago one, not the later Naxos one.