OH OH
Fighting in the heart of madness
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OH OH
Samuel Campbell
Robert Butler
Why are 80% of old ops so much better?
Jack King
That’s not an op, that’s a insert song but it is a really great one
Leo Brown
>GIVIN MAH LIFE
>GIVIN MAH ENEJI
Wyatt Cox
WELCOME TO THIS CRAZY TIME
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Jaxson Bennett
Easton Reyes
I only know this character as an avatar of rge but he changed it for the mc if his cringe indie comic.
Colton Cruz
EES MY PAIN EES MY RONERYNESS
Kayden Turner
>rei's fighting for his life against impossible odds
>ken is just leasurely walking over there
Dominic Edwards
Rei decided to attack first. He should've waited for Kenshiro and Toki to arrive.
Joseph Evans
No one's gonna read your blog, nerd
Mason Edwards
Quick. Souther vs Han - who wins
Brody Gutierrez
Souther, if hokuto ryuken also doesn't work on someone with his pressure points reversed
Dylan King
it was a different time
youtube.com
Michael Green
Kiba Daioh was cool in Sakigake Otokojuku
Nolan Johnson
>mfw listening to old 70s anime OPs with their kickass drum beats, children choirs, trumpets, violins, and all that
and the lyrics were mostly like, 'fight! fight! gigachadman!' or something like that.
Parker Wilson
Han no question
Cooper Fisher
Back then music was more recoginized as an accompanying "component" of the product.
Nowadays OPs and EDs are primarily vehicles for whatever idol groups or whatever the parent company is trying to give a push to, and sometimes doesn't seem to even have anything to do with the show or the show's spirit at all.
Adrian Cook
>Sakigake Otokojuku
It feels like a parody but it's not.
Cameron Green
it combines the high T of FotNS, the crazyness of Kinnikuman and the strategic combat of JoJo's. It's definitely the most overlooked Jump series imo
Cameron Moore
han