COULD YOU LOVE ME IN A BENTLEY?

>COULD YOU LOVE ME IN A BENTLEY?
>COULD YOU LOVE IN A BUS?
>I’LL ASK YOU 21 QUESTIONS
>AND THEY ALL ABOUT US

Why has nothing ever captured the magic of prime 50 Cent?

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Nate Dogg is dead.

Dre can only prop up so many talentless buttbuddies of his.

for me is: youtube.com/watch?v=dFAq6qG4IYQ

Come up with a new insult.

What insult? Dre is gay, Fiddy is gayer than gay. Fiddy can't rap or write. Dre has a long history of backing bad rappers who're only carried by his beats, even Snoop's career is doggshit outside of his Dre collaborations.

I remember the last time you said this too.

Congratulations on your good memory, I guess.

without even a hint of irony: youtube.com/watch?v=ELNUK2W0aVs

There was a lot of great rap in the 2000s
>PIMPIN AIN'T DEAD IT JUST MOVED TO THE WEB
>HOS AIN'T GOTTA HIT THE TRACK, AINT GOTTA GIVE TRICKS NO HEAD, IT'S JUST CAMERAS AND SCREENS
>EASIEST MONEY YOU CAN MAIE IT'S THE AMERICAN DREAM

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They favourite 50 Cent song 12 questions

The only way 50 will be remembered is from that line

In Da Club will last forever.

>mumble mumble in da club
>bottle full of mumble
>mumble mumble in mumble mumble making love
>so come give me a hug
>mumble mumble
>repeat

The most instrumental track I've ever heard, and the production is still just "BOOM BOOM CHA. BOOM BOOM CHA, BOOM BOOM CHA, BOOM BOOM CHA,"

Doesn't matter.

He had a great sense of melody and one of the greatest hook writer since de 90s + charisma

>In Da Club will last forever
In spite of the thousand and one awful imitations of it since 2003.

Dre did almost nothing for him
Read the credits
Scott Storch was his main producer

>Read the credits
lol no

yeah IDC really doesn't sound like Dre's usual funky beats

Storch made basically all the 50 and G-Units post GRODT

GRODT backbone were Eminem/Resto/NYC scene guys

Dre disliked 50, he was a risk to take in the NYC market (the biggest for rap ar the time) due to the beefs and stuff